Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts

Wednesday, April 27, 2011

Holy WTF?!

I just got an email from Amazon suggesting that I might like some action movies.



Is it a coincidence that the first movie on the list IS THE ONE THAT I WROTE?!

Now that's aggressive advertising.

By the way, Ballistica is evidently available. Put it in your Netflix queue and let me know what you think!

Monday, November 23, 2009

Ballistica Trailer.

I just found this a couple days ago. It's the trailer for that movie I wrote back in 2008.



No idea when it'll be available, but as you can see, not soon enough!

Tuesday, February 3, 2009

1 Hour of Sleep and a WHOLE LOTTA Bullets...



So, for those of you who don't know, I wrote my second paid screenplay last year. As it happens, the movie has actually been shooting, and they wrap this week. Whoda thought?

It's a CIA spy thriller / action film titled "Ballistica," and I actually got a chance to go be on set for a night of filming. It was Saturday night, and instead of just a casual visit, it turns out that they needed me for an on-set re-write of the ending. I got off the phone with the Director at 4pm, after finding out that my call time was 6:30pm, and we would be shooting throughout the night.

I had gotten up at 8am that morning to workout.

Awesome.

Regardless, I spent 14 hours watching them shoot a movie that I wrote (mostly,) all the while doing fixes on the fly for the Director and the actors. (So if you're keeping track, that means that I left at 8am the following morning...I seem to only update this Blog after all-nighters.)


This was where I was set-up...sandwiched behind the monitor cart.

It was a blast. Tony, the Producer, had told me a week prior that they had secured two actors for the movie whose attachment would help sell the film. He mentioned their names, which I promptly forgot, and when arriving on set, found out that they were Robert Davi (Special Agent Johnson from DIE HARD,) and Marty Kove, (The Evil Sensei of the Cobra Kai in THE KARATE KID!)

Yeah...Special Agent Johnson and Mr. Cobra Kai together on screen! That is GEEKTASTIC.

Now, obviously, I thought both of these guys would be absolute hard-ass mothafuckas. In fact, I was a little hesitant to talk to Marty Kove at all because he had his students beat-up Ralph Machio. Imagine my surprise when he and Robert both turned out to be REALLY nice guys. Robert heard my name once when I was introduced to him, and remembered it all night long. That's a hell of a lot better than I could do.


Marty Kove, Tony Kandah (the Producer,) Robert Davi, and Gary Jones (Director/ridiculously nice guy.)


Robert Davi in his Trailer, telling a story about how he met Sinatra.


Gary at Video Village.

So after a long night of shooting, I basically came to two realizations...

1. SCREENWRITER is the BEST position to have on set. The only thing you have to lift is your laptop, and they let you sit up front at video village. Oh yeah...and you get to interact with the Director and the Actors over the story. (At one point I was discussing the differences between the CIA and the NSA to Special Agent Johnson, and almost sucked myself into a Black Hole.)

2. I had forgotten how much movie crews are like Flash-Families. You're with these people who you don't know for no more than a couple weeks. But during that time, you sweat and laugh and bond with them as though you were all related, and then when its over, you never see them again. I showed up at that set knowing four people, but by the end of the night, I was part of the family, like I'd been there the whole time.


Me and my long-time friend, Vera.


This was lunch at 1am. VERY tasty.


The sun coming up at 6:30.


Gary, me and Robert. (I'm not that guy who asks to get my picture taken with celebrities. Robert was about to walk away, saw me and said, "Hey! We didn't get a picture together yet!" So that was cool.)

But for as surreal as the night was, my biggest geek-out moment was when I got there. The props master had brought a friend with him who I immediately recognized, because he recently played DRACULA in low-budget Vampire film that I LOVED.



His name is Tom Downey, and his character in Dracula's Curse is named "Rufus King." Of course now I've totally spoiled it for ya, because you don't find out that he's Dracula till the end of the film. So try and forget that in case you watch it. (Although I've never met anyone else who's ever seen it, so you're probably not in any real danger.)

Turns out that he's also a really easy goin' funny guy, and since I've learned not to TOTALLY geek out on people, I think I came across as fairly normal. As a result, we had an un-awkward fun time that night...even though being the Vampire Lover I am, couldn't stop thinking "THAT'S RUFUS KING!"

So as I was leaving, I did brake my rule and asked him for a picture. As we were posing for my iphone, I turned to Tom and said, "Give me your best Rufus King."


MF says I look really gay in this picture.

And she's right.



But I love him.

Monday, December 1, 2008

Just finished another Draft.



Big night in Sean-world. I just finished Kraken on the latest draft of my gargantuan space-epic. This is a project I've been workin' on sporadically for 5 years now. My assignment this time around was to get the first script (yes, it's a trilogy,) down from 230 pages to a more manageable length.

You're probably asking yourself, "230 pages? Are you insane? The average screenplay is only supposed to be 90!" It's true, and normally I would never have written something this long, but it's an adaptation of a book. So, it started off with EVERYTHING in it. Now you're saying, "Dear God, Rourke...why are you wasting your time adapting a book when you don't own the rights to it?" Public Domain, baby.

I've managed to get the page count down from 230 to 173. So, its running time is now 3 hours instead of just under 4. BUT, I've managed to avoid going into that sad, sad territory of combining characters, truncating events, and changing the story in order to fit the time limit. I guess that'll be the next pass?

Jesus.

Anyway, the above image is a piece of concept art I did for it awhile ago. The model is Susan.

Sunday, May 11, 2008

Writing Assignment...




(Just a quick piece of concept art. Anna Perilo's the model..from a shoot we did a couple years ago.)

So the cats from my Writers Group have been talking about handing-out writing assignments for a while now, and last week Dave made good on his threat. The parameters were these:

1.) There should be some mention or depiction of a
case of mistaken identity.

2.) At some point, make use or mention of an annoying
or aggressive animal. This could be a pet, a pest, or
even an obnoxious picture on a bumper sticker, or tv
ad. Or anything, just get him/her in there.

3.) Can not take place present day. Forwards or
backwards in time by at least 20 years.

4.) Sentence - must use "I guess you just don't see
that sort of thing coming."

So, this is what I came up with.